Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
I could be happy with you, if you could be happy with me: the playful inventions of a visionary headrest artist from the Msinga region of Kwazulu-Natal | 2019 | African arts 52 (4): 52-65 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African visual cultures and colonial histories: an expanding field' | |||
Eugene Palmer and Barbara Walker photography and the Black subject | 2019 | Nka: journal of contemporary African art (45): 100-13 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Illness as metaphor Donald Rodney’s X-ray photographs | 2019 | Nka: journal of contemporary African art (45): 88-98 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Self-portraiture and representations of Blackness in the Work of Donald Rodney | 2019 | Nka: journal of contemporary African art (45): 74-86 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Sonia Boyce: beyond blackness | 2019 | Nka: journal of contemporary African art (45): 62-73 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Making waves | 2019 | Nka: journal of contemporary African art (45): 48-61 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Denis Williams's London | 2019 | Nka: journal of contemporary African art (45): 18-33 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
New directions in Black British art history: some considerations | 2019 | Nka: journal of contemporary African art (45): 8-17 | H6/KY [NKA-] | 1075-7163 | introduction to special issue 'Black British art histories' | |||
The aesthetics of migration in an age of anxiety: Zineb Sedira, Allan deSouza, and Mary Evans | 2019 | Nka: journal of contemporary African art (45): 114-26 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Charles White: a retrospective | 2019 | Nka: journal of contemporary African art (45): 140-9 | H6/KY [NKA-] | 1075-7163 | ||||
At home and abroad: reflections on collaborative museum ethnography at the Mathers Museum of World Cultures | 2019 | Museum anthropology 42 (2): 62-70 | H6 [MUSEUM-] | 0892-8339 | ||||
Creative mediations: the figurative ceramics of Voania (from) Muba | 2019 | African arts 52 (4): 34-51 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African visual cultures and colonial histories: an expanding field' | |||
Somuk: the first modern artist of the Pacific | 2019 | Tribal art (94): 142-51 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Jacques Chirac: indigenous art and the sacred | 2019 | Tribal art (94): 138-41 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Among the most beautiful of white visages: Tsangui masks | 2019 | Tribal art (94): 96-113 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Asian Civilisations Museum in Singapore: opening of an impressive new gallery | 2019 | Tribal art (94): 90-5 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Fijian histories: chiefs, valuables, and exchange | 2019 | Tribal art (94): 82-7 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The many masterpieces of the arts of Oceania, the Americas, and Africa at the National Museum of Scotland, Edinburgh | 2019 | Tribal art (94): 68-81 | *H6/KFY [WORLD-] | 1354-2990 | ||||
La collection de madame: a few keys to understanding the exhibition at the Musée du Quai Branly - Jacques Chirac | 2019 | Tribal art (94): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs | 2019 | Histories of anthropology annual 13: 111-49 | H1 [HISTORIES-] | 1557-637X | ||||
John Akomfrah: multichannel prehensions | 2019 | Nka: journal of contemporary African art (45): 128-39 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
America's heritage: Native American masterworks from the Charles and Valerie Dicker collection arrive at the Met's American wing | 2018 | Native American art (17): 63-9 | ||||||
Voice of America: Southwestern artists in the French Order of Academic Palms | 2018 | Native American art (17): 98-105 | ||||||
A new understanding: a survey of contemporary Native art at Crystal Bridges reframes American art history | 2018 | Native American art (17): 70-5 | ||||||
The "idiot sticks": Kwakwaka' wakw carving and cultural resistance in commercial art production on the Northwest Coast | 2018 | American Indian culture and research journal 42 (3): 27-46 | H6/KUB [AMERICAN-] | 0161-6463 | in special issue 'Representing Native peoples: Native narratives of indigenous history and culture' |