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TitleDateReferenceAuthorsCall #ISSN
Waiting for (African) cinema: Jean-Pierre Bekolo’s quest2019 African studies review 62 (1): 49-66
  • Vlad Dima
*H6/KY [AFRICAN-]0002-0206French summary
Ecstasy, choreography and re-enactment: aesthetic and political dimensions of filming states of trance and spirit possession in postwar southern Italy2019 Visual anthropology 32 (1): 33-55
  • Michaela Schäuble
*H6 [VISUAL-]0894-9468
Entrevista a Alex Schenker, cineasta alemán que hace cine en Ecuador2019 Studies in Latin American popular culture 37: 217-28
  • Alex Schlenker
  • Traci Roberts-Camps interv
*H6/KUL [STUDIES-]0730-9139intervierw with Alex Schlenker
Moving bodies: captured life in the late works of Harun Farocki2019 Journal of visual culture 18 (3): 358-77
  • Erika Balsom
H6/KF [JOURNAL-]1470-4129
Postproduction, archive, and memory in the work of César Schofield Cardoso2019 Nka: journal of contemporary African art 44: 94-107
  • Ana Nolasco
H6/KY [NKA-]1075-7163
Emerging film cultures: spotlight on post-disaster Haiti2018 International journal of cultural studies 21 (1): 27-41
  • Doris Posch
H6/KF [INTERNATIONAL-]1367-8779
The gender of desire: sexuality and morality in the work of Pedro Almodóvar2018 Iberoamericana 18 (67): 179-201
  • Paloma Coelho
H6/KUL [IBEROAMERICANA-]1577-3388English summary
The future of Lao cinema: the new wave2018 Visual anthropology 31 (1-2): 14-33
  • Panivong Norindr
*H6 [VISUAL-]0894-9468in special issue 'Myriad modernities: Southeast Asian/Diasporic visual cultures'
The politics and aesthetics of non-representation: re-imagining ethnographic cinema with Apichatpong Weerasethakul2018 Antipoda: revista de antropología y arqueología (33): 13-32
  • Isaac Marrero-Guillamón
H6/KUL [REVISTA-]0124-485Xin special issue 'The anthropology of the image: mutual intrusions between art, photography, and anthropology'; Spanish and Portuguese summaries
Ethnographic film's relation to African cinema: Safi Faye and Jean Rouch2018 Visual anthropology 31 (4-5): 426-44
  • Matthias De Groof
*H6 [VISUAL-]0894-9468
Song to the front and Eleven men: handcrafting history, refining memories and contesting women's sexuality2018 Visual anthropology 31 (4-5): 454-7
  • Hoàng Quí Hà Nguyễn
*H6 [VISUAL-]0894-9468film review on Song to the front by T T Nguyễn (2011) and Eleven men by T T Nguyễn (2016)
Enunciation: urban indigenous being, digital storytelling and indigenous film aesthetics2018 Canadian journal of native studies 38 (1): 183-207
  • Angela Salamanca
  • Susan D. Dion
*H6/KUB [CANADIAN-]0715-3244French summary
The huge contribution to cinema of Idrissa Ouedraogo2018 African studies review 61 (3): 181-90
  • Olivier Barlet
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
'The world should be open to film': an interview with Idrissa Ouedraogo2018 African studies review 61 (3): 191-3
  • Idrissa Ouedraogo
  • Melissa Thackway interv
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
Rituals of illumination and elective affinity in Idrissa Ouedraogo’s cinematic legacy2018 African studies review 61 (3): 194-201, 212
  • Olivier-jean Tchouaffe
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
Against the 'one cinema system'. Idrissa Ouedraogo and the invention of contemporary African films2018 African studies review 61 (3): 201-6, 212
  • Alexie Tcheuyap
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
Idrissa Ouedraogo, the maestro of Burkinabe cinema2018 African studies review 61 (3): 207-8, 213
  • Boukary Sawadogo
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
Farewell my friend!2018 African studies review 61 (3): 209-11
  • Jean-Marie Teno
*H6/KY [AFRICAN-]0002-0206in thematic section in celebration of Idrissa Ouedraogo with introduction by K Harrow, 178-81
On the margins: black directors and the persistence of racial inequality in twenty-first century Hollywood2018 Ethnic and racial studies 41 (7): 1217-34
  • Maryann Erigha
H6/KD [ETHNIC-]0141-9870
Last year in Marienbad as a ciné-roman2018 Konteksty 72 (4): 60-7, 400
  • Paulina Kwiatkowska
H6/KVM [POLSKA-]1230-6142English summary
Three Monkeys (2008): oblivion, anamnesis and the latent spectrality of hope2018 Culture and religion 19 (4): 376-93
  • Craig A. Hammond
H6/KFO [SCOTTISH-]1475-5610
Powers of powerlessness: the politics of defeat in the cinema of Nouri Bouzid2017 Journal of visual culture 16 (2): 253-73
  • Nouri Gana
H6/KF [JOURNAL-]1470-4129
30 artists to know2017 Inuit art quarterly 30 (3): 96-127
  • Editors
*H6/KFY [INUIT-]0831-6708in 'Anniversary isssue. Celebrating 30 years'
"The form of a city": Pasolini and the poetic ecology of the sign2017 Space and culture 20 (4): 399-414
  • Laurent Matthey
  • Nicola Cantoreggi
H6 [SPACE-]1206-3312
African documentaries, critical interventions: the non-African film production at the origins of Francophone West African cinema2017 Critical interventions: journal of African art history and visual culture 11 (3): 214-27
  • Vincent Bouchard
H6/KFY [CRITICAL-]1930-1944in special issue 'African documentary cinema'
Excavating memory and history in the Turtle's song, a Moroccan revolution2017 Critical interventions: journal of African art history and visual culture 11 (3): 236-47
  • Sheila Petty
H6/KFY [CRITICAL-]1930-1944in special issue 'African documentary cinema'
Remediations of nonfiction: animation, interactivity, and documentary from Africa2017 Critical interventions: journal of African art history and visual culture 11 (3): 269-86
  • Paula Callus
H6/KFY [CRITICAL-]1930-1944in special issue 'African documentary cinema'
Storytelling in film: convening an industry2017 American Indian NMAI 18 (4): 6-11
  • Cyntia Benitez
*H6/KUB [AMERICAN-]1528-0640
Enactive filmmaking: rethinking ethnographic cinema in the first person2017 Visual anthropology review 33 (2): 130-40
  • Lorenzo Ferrarini
H6 [PROGRAM-]1053-7147
Tasting tea and filming tea: the filmmaker's engaged sensory experience2017 Visual anthropology review 33 (2): 141-51
  • Jinghong Zhang
H6 [PROGRAM-]1053-7147
Screen text and institutional context: indigenous film production and academic research institutions2017 Native American and indigenous studies 4 (1): 61-88
  • Karrmen Crey
Jean Rouch at the "rendez-vous de juillet": the metamorphosis of an ethnologist-filmmaker2017 Journal des africanistes 87 (1-2): 64-93
  • Damien Mottier
H6/KY [SOCIETE-]0399-0346in monographic issue 'Jean Rouch, ethnologue et cinéaste'; English summary
The filmmaker anthropologist and "cine-trance": development or disappearance for the interaction beteween the filmmaker and he filmed?2017 Journal des africanistes 87 (1-2): 222-38
  • Jean-Frédéric de Hasque
H6/KY [SOCIETE-]0399-0346in monographic issue 'Jean Rouch, ethnologue et cinéaste'; English summary
Rouch and the Harvard school2017 Journal des africanistes 87 (1-2): 242-61
  • Alice Leroy
H6/KY [SOCIETE-]0399-0346in monographic issue 'Jean Rouch, ethnologue et cinéaste'; English summary
Indian Summer School: Rouch in New England2017 Journal des africanistes 87 (1-2): 262-81
  • Émile de Brigard
H6/KY [SOCIETE-]0399-0346in monographic issue 'Jean Rouch, ethnologue et cinéaste'; French summary
Euro-American hegemony and Lars von Trier as a 'European director'2017 Journal of folklore and literature 1: 147-78
  • Özlem Denli
  • Selma Köksal
1300-7491English summary
Tackling Odysseus. An essay on the surplus of experience2017 Konteksty 71 (1/2): 135-52, 470
  • Paweł Kuligowski
H6/KVM [POLSKA-]1230-6142English summary
From Ellis Island to Beverly Hills. The American cinema and incomers from everywhere2017 Konteksty 71 (1/2): 177-82, 471
  • Jacek Ziemek
H6/KVM [POLSKA-]1230-6142English summary
The film tool: an interview with André Singer2016 American anthropologist 118 (2): 381-5
  • André Singer
  • Aruna Panday interv
*H6 [AMERICAN-]0002-7294
Reading Sol Worth in the age of YouTube2016 American anthropologist 118 (2): 393-5
  • Corrina Laughlin
*H6 [AMERICAN-]0002-7294
Changing the narrative of the world: interview with Gabriele Del Grande and Dagmawi Yimer2016 Critical interventions: journal of African art history and visual culture 10 (1): 107-14
  • Dagmawi Yimer
  • Elelna Korzhenevich interv
  • Gabriele Del Grande
H6/KFY [CRITICAL-]1930-1944
Filming African resistance against colonization. Postcolonial strategies for remembering and forgetting. Some considerations on Sembène Ousmane's Samori script2016 Cahiers d'études africaines 56 (4): 875-90
  • Elara Berto
H6/KY [CAHIERS-]0008-0055English summary
Le photo-portrait de Nurith Aviv. Entretien avec Nurith Aviv2016 L'Autre: cliniques, cultures et sociétés 17 (2): 234-42
  • Julie Azoulay interv
  • Marion Feldman interv
  • Nurith Aviv
H6 [AUTRE-]1626-5378interview with Nurith Aviv
Extracting Inuit: the of the North controversy and the white possessive2016 American Indian culture and research journal 40 (4): 23-48
  • Bruno Cornellier
H6/KUB [AMERICAN-]0161-6463
A migrant family romance and its representation in music: Karim Dridi's Bye bye (1995)2016 Journal of Mediterranean studies 25 (2): 173-87
  • Eun-Jee Park
H6 [JOURNAL-]1016-3476
The enduring afterlife of Before tomorrow: Inuit survivance and the spectral cinema of Arnait Video Productions2016 Etudes inuit 40 (1): 211-28
  • Dianne Chisholm
*H6/KUB [ETUDES-]0701-1008French summary
Between here, between now - the Irish folklore in Tomm Moore's movies2016 Literatura ludowa 60 (4/5): 33-40
  • Daria Rzeczkowska
H6/KVM [LITERATURA-]0024-4708English summary
The motif of katabasis in a film. Two visions of the underworld in What dreams may come and in Corpse bride2016 Literatura ludowa 60 (4/5): 41-9
  • Marta Sterna
H6/KVM [LITERATURA-]0024-4708English summary
Today real coloniality is already no more2016 Konteksty 70 (3/4): 86-94, 596
  • Magdalena Barbaruk
H6/KVM [POLSKA-]1230-6142English summary
20 Fingers: personal or political?2015/2016 Anthropology of the contemporary Middle East and Central Eurasia 3 (2): 141-59
  • Sussan Siavoshi
H6/KW [ANTHROPOLOGY-]2211-5722