Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
An artist on Inis Oírr and Inis Meáin: Simon Coleman’s visit to the Aran islands in 1959 on behalf of the Irish Folklore Commission | 2020 | Folklore 131 (1): 1-33 | H6/KF [FOLKLORE-] | 0015-587X | ||||
The light of the Prophet Muhammad: an audiovisual and microphenomenological journey | 2020 | Material religion 16 (1): 113-15 | H6/KFO [MATERIAL-] | 1743-2200 | in thematic issue 'Light mediations' | |||
Applied visual anthropology in the progressive era: the influence of Lewis Hine’s child labor photographs | 2019 | Visual anthropology 32 (3-4): 221-39 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Circulation of information and regional identity process. Facial designs in figurines of central Argentina | 2019 | Boletín del Museo chileno de Arte precolombino 42 (2): 53-68 | H6/KE [BOLETIN-] | 0716-1530 | ||||
The disappeared, pilgrims and cemeteries: spaces and practices of memory in Colombia | 2019 | Antipoda: revista de antropología y arqueología (37): 163-96 | H6/KUL [REVISTA-] | 0124-485X | visual essay in special issue 'Ontologías en disputa: diálogos entre antropología y arqueología en América Latina'; English and Portuguese summaries | |||
Matrioshkas, or one confinement within another | 2019 | Antipoda: revista de antropología y arqueología (36): 165-87 | H6/KUL [REVISTA-] | 0124-485X | in thematic issue 'Archaeology for Latin America in the 21st century'; English and Portuguese summaries | |||
Missing links: ledger book structure and two war books of the 1860s | 2019 | Plains anthropologist 64 (250): 163-84 | H6/KUB [PLAINS-] | 0032-0447 | ||||
The development of painting in history. Psychological stages and sequential epochs | 2019 | International journal of anthropology 34 (3-4): 157-80 | H6/HB [INTERNATIONAL-] | 0393-9383 | ||||
Pilgrimages and rite-of-passage trips in four Iberoamerican films | 2019 | International journal of anthropology 34 (3-4): 181-97 | H6/HB [INTERNATIONAL-] | 0393-9383 | ||||
On the attire of the Serbs | 2019 | Studia comitatensia 37: 168-201 | H6/KVN [STUDIA-] | 0133-3046 | English summary | |||
Taking the long route. Ethnographic metacommentary as method in the anthropological film practice | 2019 | Current anthropology 60 (6): 774-95 | H6 [CURRENT-] | 0011-3204 | with comments and reply | |||
Flathead | 2019 | Whispering wind 47 (5): 26-9 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
Luz, câmera, missão: etnografias visuais de salesianos italianos no América do Sul | 2019 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 17 (2): 476-514 | in special issue 'Missões religiosas entre indígenas em perspectiva comparada'; English summary | |||||
Untiring mind: a documentary film on Dr. Biraja Sankar Guha | 2019 | South Asian anthropologist 19 (2): 177-9 | H6/KW [SOUTH-] | 0257-7348 | ||||
The reluctant farmer: the role of multimedia in America's 20th century agricultural transformation | 2019 | Visual anthropology 32 (3-4): 240-64 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
When workers toil unseen, artists intervene: on the in/visibility of labor in the Arabian gulf states | 2019 | Visual anthropology 32 (3-4): 265-86 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Cameras at work: dusty lenses and processed videos in the quarries of Hyderabad | 2019 | Visual anthropology 32 (3-4): 287-308 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Photo history by numbers: charting the rise and fall of commercial photography in Cameroon | 2019 | Visual anthropology 32 (3-4): 309-42 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Sara Jahan Hamara: Indian films and their portrayal of foreign destinations | 2019 | Visual anthropology 32 (3-4): 343-52 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Participant-led photographs and repositioning el Mujeriego or “the Hustler” in Costa Rica’s Caribbean littoral | 2019 | Visual anthropology 32 (3-4): 353-73 | *H6 [VISUAL-] | 0894-9468 | in thematic issue 'Industrial work: the long pedigree of toil' | |||
Shepherds in the cave | 2019 | Visual anthropology 32 (3-4): 374-6 | *H6 [VISUAL-] | 0894-9468 | film review article on Shepherds in the Cave by A Grieco (2017) | |||
Human Flow: Thinking with and through Ai Weiwei’s defamiliarizing gaze | 2019 | Visual anthropology 32 (3-4): 377-9 | *H6 [VISUAL-] | 0894-9468 | film review article on Human Flow by A Wei Wei (USA, 2017: Amazon Studios) | |||
Anthropology and image: what is particular in Brazilian visual anthropology? | 2019 | Cadernos de arte e antropologia 8 (1): 131-46 | English summary | |||||
Boundaries and margins: the making of the 'golden cage' | 2019 | Anthropology of the Middle East 14 (1): 23-44 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
The dawn of translation | 2019 | ab-Original 3 (1): 109-23 | 2470-6221 | visual essay | ||||
The south side of heaven: a journey along the Iranian collective memory in Iran-Iraq war memorial sites | 2019 | Anthropology of the Middle East 14 (1): 125-41 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
Anthropological perspectives on two documentary films on women in the Middle East | 2019 | Anthropology of the Middle East 14 (1): 142-50 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
A film never completed: representing social relations in a mixing neighbourhood | 2019 | Anthropology of the Middle East 14 (1): 108-24 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
A resolute display: culture, life and intersectional identity in Israeli Druze photography | 2019 | Anthropology of the Middle East 14 (1): 87-107 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
To be black and beautiful in Israel | 2019 | Anthropology of the Middle East 14 (1): 70-86 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
Why draw flowers? Botanical art, nationalism and women's contribution to Israeli culture | 2019 | Anthropology of the Middle East 14 (1): 45-69 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
Alfred Maudsley's causality dilemma: archaeology, photography and the influence of nineteenth-century travel literature | 2019 | Anthropology and photography 12: 1-17 | 2397-1754 | |||||
The changing portrayal of dancers in Egyptian films: three roles in the career of Tahia Carioca (1946, 1958 and 1972) | 2019 | Anthropology of the Middle East 14 (1): 6-22 | *H6/KW [ANTHRO-] | 1746-0719 | in special issue 'Visual anthropology in the Middle East' | |||
Introduction: visual anthropology in the Middle East | 2019 | Anthropology of the Middle East 14 (1): 1-5 | *H6/KW [ANTHRO-] | 1746-0719 | introduction to special issue 'Visual anthropology in the Middle East' | |||
Crow chiefs in 1868 | 2019 | Whispering wind 47 (4): 23-5 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
Otoe and Pawnee | 2019 | Whispering wind 46 (6): 26-9 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
Mutatuism: styling a rebel | 2019 | Anthropology and photography 11: 1-44 | 2397-1754 | monographic issue | ||||
The sacred cycle of the high peaks: water, life, and thought among the Misak (Guambianos) | 2019 | Antipoda: revista de antropología y arqueología (34): 145-51 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
Visual anthropology and select Indian documentaries | 2019 | Journal of human evolution 34 (1-2): 115-31 | H6/HB [JOURNAL-] | 0047-2484 | ||||
From La maison des ailes d'or to Winter solstice: a creative genealogy of visual anthropology | 2019 | Journal des anthropologues (156-157): 293-307 | H6/KF [ASSOCIATION-] | 1156-0428 | English summary | |||
Gender, photography and visual participatory methods: an ethnographic research project between Colombia and France | 2019 | Visual anthropology 32 (1): 1-32 | *H6 [VISUAL-] | 0894-9468 | ||||
Ecstasy, choreography and re-enactment: aesthetic and political dimensions of filming states of trance and spirit possession in postwar southern Italy | 2019 | Visual anthropology 32 (1): 33-55 | *H6 [VISUAL-] | 0894-9468 | ||||
Exposing diversity: a methodological approach to the use of video narratives in interdisciplinary practices | 2019 | Visual anthropology 32 (1): 56-75 | *H6 [VISUAL-] | 0894-9468 | ||||
The camera and the anthropologist: reflections on photographic agency | 2019 | Visual anthropology 32 (1): 76-96 | *H6 [VISUAL-] | 0894-9468 | ||||
Acoustic experience and musical practices of metro buskers | 2019 | Anthropologie et sociétés 43 (1): 95-116 | H6 [ANTHROPOLOGIE-] | 0702-8997 | in special issue 'Sound fields'; English and Spanish summaries | |||
Aural anthropology, a way of listening | 2019 | Visual anthropology 32 (2): 193-204 | *H6 [VISUAL-] | 0894-9468 | in special issue 'Physiology and epidemiology: a visual anthropology dimension' | |||
Baking the bread | 2019 | Visual anthropology 32 (2): 205-13 | *H6 [VISUAL-] | 0894-9468 | ||||
Engaging northern indigenous children through drawing for community health research: a picture of the social impact of H. pylori infection in Fort McPherson in the Northwest Territories, Canada | 2019 | Visual anthropology 32 (2): 174-92 | *H6 [VISUAL-] | 0894-9468 | in special issue 'Physiology and epidemiology: a visual anthropology dimension' | |||
Filming Fore, shooting scientists: medical research, experimental filmmaking, and documentary cinema | 2019 | Visual anthropology 32 (2): 109-27 | *H6 [VISUAL-] | 0894-9468 | in special issue 'Physiology and epidemiology: a visual anthropology dimension' | |||
Gnawa: music and beyond | 2019 | Visual anthropology 32 (2): 214-17 | *H6 [VISUAL-] | 0894-9468 | film review article on 'Gnawa: music and beyond' by J Willemont (Espaces, 2012) |