Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
African arts at the Princeton University Art Museum | 2019 | African arts 52 (1): 72-89 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Philbrook Museum of Art | 2019 | First American art magazine 22: 96-9 | H6/KUB [FIRST-] | 2333-5548 | ||||
(Re-)making space for a new culture of art: Bejing, Shanghai, Hong Kong | 2019 | Space and culture 22 (2): 189-215 | H6 [SPACE-] | 1206-3312 | in special issue on Nanjing | |||
The mainstream media and the "shocking bad art" from Cyprus | 2019 | Near Eastern Archaeology 82 (2): 67-74 | H6/KE [BIBLICAL-] | 0006-0895 | ||||
Native American art at the Nelson-Atkins Museum of Art | 2019 | Tribal art (93): 82-93 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The Metropolitan Museum of Art | 2019 | First American art magazine 23: 100-3 | H6/KUB [FIRST-] | 2333-5548 | ||||
Islam and European museums: a Babylonian confusion of tongues | 2019 | Material religion 15 (3): 372-3 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
Diversifying Islam and the museum | 2019 | Material religion 15 (3): 374-5 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
New frames to Islam in European museums | 2019 | Material religion 15 (3): 376-7 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
Reframing Islam in the "refugee crisis"? | 2019 | Material religion 15 (3): 376-7 | H6/KFO [MATERIAL-] | 1743-2200 | ||||
Creative mediations: the figurative ceramics of Voania (from) Muba | 2019 | African arts 52 (4): 34-51 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African visual cultures and colonial histories: an expanding field' | |||
The museum and thir role as transmitters of the prehispanic past in Bolivia: state of the issue | 2019 | Chungará 51 (2): 219-38 | H6/KUL [CHUNGARA-] | 0716-1182 | in special issue 'Museos andinos'; English summary | |||
Museography in Cuzco: different museums, different narratives | 2019 | Chungará 51 (2): 271-90 | H6/KUL [CHUNGARA-] | 0716-1182 | in special issue 'Museos andinos'; English summary | |||
Beyond compare: art from Africa in the Bode Museum | 2018 | Tribal art 87: 70-7 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Refashioned: Toi art at Te Papa | 2018 | Art New Zealand (166): 49-53 | H6/KX [ART-] | 0110-1102 | ||||
Thinking through lines: locating perception and experiences in place | 2018 | Qualitative research 18 (3): 361-79 | H6 [QUALITATIVE-] | 1468-7941 | ||||
Interwoven dreams: a stunning new basketry collection gift is unveiled at the Eiteljorg Museum, Indianapolis | 2018 | Native American art April/May: 72-7 | H6/KUB [NATIVE-] | 2469-6137 | ||||
The marvel of the Shōsō-in Kasen collection | 2018 | Hali (196): 48-59 | *H6/KGG [HALI-] | 0142-0798 | ||||
Rising sun at Te Papa: the Heriot collection of Japanese art | 2018 | Tuhinga (29): 50-76 | H6/KX [NEW ZEALAND-] | 1173-4337 | ||||
Mimbres: visionary painting at LACMA | 2018 | Tribal art (89): 86-93 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Balance and opposition in ancient Peruvian textiles | 2018 | Tribal art (89): 94-9 | *H6/KFY [WORLD-] | 1354-2990 | ||||
National Museum of Mexica Art | 2018 | First American art magazine 20: 101-3 | H6/KUB [FIRST-] | 2333-5548 | ||||
The manufacture of devotional objects in Palestine, from the modern era to the early nineteenth century: the testimony of models and a pilgrim icon recently acquired by the MuCEM | 2018 | Archives de sciences sociales des religions 63 (183): 247-60 | H6/KFO [ARCHIVES-] | 0335-5985 | in special issue 'Façonner l'object de dévotion chrétien: fabrication, commerce et circulations (XVIe-XIXe siècles)'; English and Spanish summaries | |||
Art tourism: a new field for tourist studies | 2018 | Tourist studies 18 (4): 399-416 | H6/KD [TOURIST-] | 1468-7976 | ||||
Picasso the Muslim: or, how the Bilderverbot became modern (part 2) | 2018 | Res 69/70: 251-68 | *H6 [RES-] | 0277-1322 | in special issue 'Writing prehistory' | |||
Art of Central Africa at the Indianapolis Museum of Art | 2018 | African arts 51 (4): 34-47 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Crosses from Ethiopia at the Dallas Museum of Art | 2018 | African arts 51 (4): 48-55 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Southwestern networks | 2018 | Hali (198): 64-7 | *H6/KGG [HALI-] | 0142-0798 | ||||
Artistic self-representations in the art collection of the Ferenczy Museum center | 2018 | Studia comitatensia (36): 230-41 | H6/KVN [STUDIA-] | 0133-3046 | English summary | |||
The Indonesian bronze-casting tradition. Technical investigations on thirty-nine Indonesian bronze statues (7th-11th c. ) from the Musée National des Arts Asiatiques - Guimet, Paris | 2018 | Bulletin de l’Ecole Française d’Extrême-Orient 104: 63-139 | H6/KWY [ECOLE-] | 0336-1519 | French summary | |||
America's heritage: Native American masterworks from the Charles and Valerie Dicker collection arrive at the Met's American wing | 2018 | Native American art (17): 63-9 | ||||||
A new understanding: a survey of contemporary Native art at Crystal Bridges reframes American art history | 2018 | Native American art (17): 70-5 | ||||||
Voice of America: Southwestern artists in the French Order of Academic Palms | 2018 | Native American art (17): 98-105 | ||||||
Priceless treasures | 2017 | Native American art 6: 82-5 | H6/KUB [NATIVE-] | 2469-6137 | in special issue 'The turquoise issue' | |||
A sign of the end of time: 'The monastery', Topkapı Sarayı Müzesi H.2153 f.131b | 2017 | Journal of the Royal Asiatic Society (Series 3) 27 (1): 1-30 | H6/KW [ROYAL-] | 1356-1863 | ||||
100 years and counting | 2017 | American Indian NMAI 18 (1): 12-15 | *H6/KUB [AMERICAN-] | 1528-0640 | ||||
The vision and the dream | 2017 | American Indian NMAI 18 (1): 16-19 | *H6/KUB [AMERICAN-] | 1528-0640 | ||||
Ways of preferring: distinction through the 'what' and the 'how' of cultural consumption | 2017 | Journal of consumer culture 17 (1): 25-45 | H6 [JOURNAL-] | 1469-5405 | ||||
Kilims for kings | 2017 | Hali (191): 48-57 | *H6/KGG [HALI-] | 0142-0798 | ||||
Looking at collections: Inuit art around the world | 2017 | Inuit art quarterly 30 (2): 28-35 | *H6/KFY [INUIT-] | 0831-6708 | ||||
Museum encounters of another kind: indigenous methodologies of collaboration. Lead the charge | 2017 | Inuit art quarterly 30 (2): 36-41 | *H6/KFY [INUIT-] | 0831-6708 | ||||
‘Look here upon this picture’: Shakespeare in art at Te Papa | 2017 | Tuhinga 28: 31-48 | H6/KX [NEW ZEALAND-] | 1173-4337 | ||||
Room to grow: re-installing the NCMA permanent collection | 2017 | African arts 50 (4): 46-61 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
A history shaped by future past. Art, artists, and the dialogic turn at the Smithsonian National Museum of African Art | 2017 | African arts 50 (4): 62-73 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Magdalene A.N. Odundo: pathways to path maker | 2017 | Critical interventions: journal of African art history and visual culture 11 (1): 77-104 | H6/KFY [CRITICAL-] | 1930-1944 | in special issue 'Kenyan art worlds' | |||
Exploring Native culture | 2017 | Native American art October/November: 54-107 | H6/KUB [NATIVE-] | 2469-6137 | ||||
'Most unusual facilities for obtaining valuable specimens': the legacy of L. A. Waddell in Berlin Museums | 2017 | Baessler-Archiv (Neue Folge) 64: 39-64 | H6 [BAESSLER-] | 0005-3856 | ||||
In memoriam: Aldona Stravinskienė (5.8.1926-18.6.2016) | 2017 | Liaudies kultūra 3: 79-90 | H6/KVT [LIAUDIES-] | 0236-0551 | English summary | |||
Brightest Africa at the Dallas Museum of Art | 2016 | Tribal art (79): 84-91 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The African art collection at the Samuel P. Harn Museum of Art, University of Florida | 2016 | African arts 49 (3): 68-83 | H6/KFY [AFRICAN-] | 0001-9933 |