Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Liberation or emancipation? Counter-hegemony, performance and public space in Lebanon | 2020 | International journal of cultural studies 23 (2): 264-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | in special issue 'The aesthetics of dissent: culture and politics of transformation in the Arab world' | |||
Vitalism on the fringes | 2020 | Antipoda (39): 96-122 | H6/KUL [REVISTA-] | 0124-485X | English and Portuguese summaries | |||
“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Chinese summary | |||
A political dance in the rain: queer short film in Indonesia and the cinematic creation of social and material spaces for argument | 2020 | Bijdragen tot de taal-, land- en volkenkunde 176 (1): 7-36 | H6/KX [BIJDRAGEN-] | 0006-2294 | in special section 'Pop culture as argument and aspiration' | |||
The return of the far-off past: voicing authenticity in late socialist Mongolia | 2019 | Journal of folklore research 56 (1): 37-69 | H6/KF [INDIANA-] | 0737-7037 | ||||
Life as art, or art as life: Robert Filliou and the eternal network | 2019 | Theory, culture and society 36 (3): 27-55 | H6 [THEORY-] | 0263-2764 | ||||
Sound spectrum analysis: Ryūteki and Hichirijki techniques as performers of structure and mode in Etenraku | 2019 | Asian music 50 (1): 78-117 | *H6/KFYV [ASIAN-] | 0044-9202 | Russian summary | |||
Traditional opera consumption as the new game of distinction for the Chinese middle classes | 2019 | International journal of cultural studies 22 (3): 400-16 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
The antitheatralism of theologian Catholics in the age of the enlightenment. The forerunners and the significance of the Italian controversy on the performances in the mid-eighteenth century | 2019 | Archives de sciences sociales des religions 64 (185): 169-87 | H6/KFO [ARCHIVES-] | 0335-5985 | English and Spanish summaries | |||
Gestural interfaces: recognizing sonorous practices in an archaeological collection from Greater Nicoya | 2019 | Anthropologie et sociétés 43 (1): 117-39 | H6 [ANTHROPOLOGIE-] | 0702-8997 | in special issue 'Sound fields'; English and Spanish summaries | |||
Gifts from the waves? Cultural identity, the rise of performing arts communities, and women's performance practice in post-tsunami Aceh | 2019 | Asian music 50 (2): 90-121 | *H6/KFYV [ASIAN-] | 0044-9202 | Indonesian summary | |||
The demimondaines of the stage. The livelihood of actresses in Stockholm around the turn of the century 1800 | 2019 | Rig (1): 1-22 | H6/KVT [RIG-] | 0035-5267 | English summary | |||
A street for all? Pluralism and the performing arts in Jalan Sesama (Indonesian Sesame Street) | 2019 | Ethnomusicology 63 (3): 418-44 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Indonesian summary | |||
Colonial material collections and representations of devadasi bodies in the public sphere in the early 20th-century South India | 2019 | Anthropos (St Augustin) 114 (2): 531-45 | H6 [ANTHROPOS-] | 0257-9774 | in thematic section 'Mission history and the postcolonial museum' | |||
Blues\blank\black: performance art as gesture, color, repetition, archive | 2019 | Iberoamericana 19 (72): 105-16 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | in special issue 'Estéticas sucias y cultura basura. Repensar desechos, residuos y contaminación en las formaciones culturales de América Latina'; Spanish summary | |||
Traditional Baul singers and their esoteric practices in Birbhum | 2019 | South Asian anthropologist 19 (2): 137-43 | H6/KW [SOUTH-] | 0257-7348 | ||||
Black performance in Brazil: hidden stories and the rough vibrancy of now | 2019 | Nka: journal of contemporary African art 44: 64-76 | H6/KY [NKA-] | 1075-7163 | ||||
Leo Asemota's The ENS Project | 2019 | Nka: journal of contemporary African art 44: 78-92 | H6/KY [NKA-] | 1075-7163 | ||||
Living like chameleons. A Bedia folk performing troupe from West Bengal | 2019 | Asian ethnology 78 (2): 447-73 | H6/KWS [FOLKLORE-] | 1882-6865 | ||||
Educated within a lineage: the case of theater students in the realist circuit in Buenos Aires | 2019 | Etnográfica: revista do Centro de Estudos de Antropologia Social 23 (3): 739-52 | H6 [ETNOGRAFICA-] | 0873-6561 | English summary | |||
Contemporary "folk" dynamics: shifting visions and meanings in the Goalpariya folk music of Assam | 2019 | Folklore 130 (4): 331-51 | H6/KF [FOLKLORE-] | 0015-587X | ||||
More on the Taṇḍa in Old Javanese literature | 2019 | Bijdragen tot de taal-, land- en volkenkunde 175 (4): 556-66 | H6/KX [BIJDRAGEN-] | 0006-2294 | ||||
Sensing the music: oral mnemonics as a technique of affective sensitization in Japanese ‘court music’ | 2019 | Asian anthropology 18 (3): 203-21 | H6/KW [ASIAN-] | 1683-478X | in thematic issue ‘Feeling (with) Japan’ | |||
On liveness: using arts workshops as a research method | 2018 | Qualitative research 18 (1): 36-52 | H6 [QUALITATIVE-] | 1468-7941 | ||||
Polio monologues: translating ethnographic text into verbatim theatre | 2018 | Qualitative research 18 (1): 53-69 | H6 [QUALITATIVE-] | 1468-7941 | ||||
From the Calendas to the Calenda: on the Afro-Iberian substratum in black performance culture in the Americas | 2018 | Journal of American folklore 131 (519): 3-29 | H6/KF [JOURNAL-] | 0021-8751 | ||||
Sissy that walk: a short herstory of the Pacific sisters | 2018 | Art New Zealand (165): 48-52 | H6/KX [ART-] | 0110-1102 | ||||
Making magic: basket puppets from the Tongva landscape | 2018 | News from native California 31 (3): 10-13 | *H6/KUB [NEWS-] | 1040-5437 | ||||
Listening to the voice in kumiudui: representations of social class and gender through speech, song, and prosody | 2018 | Asian music 49 (1): 4-33 | *H6/KFYV [ASIAN-] | 0044-9202 | Japanese summary | |||
The evolution of human dance: courtship, rites of passage, trance, calendrical ceremonies and the professional dancer | 2018 | Cambridge archaeological journal 28 (2): 283-98 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Maria Tallchief, (Native) America's prima ballerina: autobiographies of a postindian princess | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (1): 50-70 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Tamil Dalit art and identity: what to do with the drum? | 2018 | South Asia research 38 (2): 140-55 | H6/KWL [SOUTH-] | 0262-7280 | ||||
"You can't sing Urtyn Duu if you don't know how to ride a horse": Urtyn Duu in Alshaa, Inner Mongolia | 2018 | Asian music 49 (2): 4-33 | *H6/KFYV [ASIAN-] | 0044-9202 | Mongolian summary | |||
Bringing the music out, bringing the listener in: the Gérong in Javanese Gamelan | 2018 | Asian music 49 (2): 34-70 | *H6/KFYV [ASIAN-] | 0044-9202 | Indonesian summary | |||
Sino-Burmese revolutionary music and dance in changing time and space | 2018 | Journal of archaeology and anthropology (88): 35-82 | H6/KWS [TAIWAN-] | 0077-5483 | English summary | |||
The Oklahoma Indian ballerinas | 2018 | First American art magazine 19: 32-7 | H6/KUB [FIRST-] | 2333-5548 | ||||
"I am the greatest boxer": articulating group identity through Chinese folk drama | 2018 | Journal of American folklore 131 (521): 250-71 | H6/KF [JOURNAL-] | 0021-8751 | ||||
Stages of transformation | 2018 | Hali (196): 70-7 | *H6/KGG [HALI-] | 0142-0798 | ||||
With the Dance of the Flyers at Tajin, the hurricane wind flies | 2018 | Anales de antropología 52 (2): 111-21 | H6/KUL [ANALES-] | 0185-1225 | English summary | |||
The glow of the invisible forest: towards a phenomenology of unseen significance | 2018 | Antipoda: revista de antropología y arqueología (33): 125-44 | H6/KUL [REVISTA-] | 0124-485X | in special issue 'The anthropology of the image: mutual intrusions between art, photography, and anthropology'; English and Portuguese summaries | |||
Performing realization: the Sufi music videos of the Taalibe Baye of Dakar | 2018 | African arts 501 (3): 26-39 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
A Korean, an Australian, a nomad, and a martial artists meet on the Tibetan plateau: encounters with foreigners in a Tibetan comedy from Amdo | 2018 | Journal of folklore research 55 (3): 1-24 | H6/KF [INDIANA-] | 0737-7037 | ||||
Letting the mask slip: shameless fame of Sierra Leone's Gongoli | 2018 | Africa 88 (4): 718-43 | H6/KY [AFRICA-] | 0001-9720 | in thematic section 'Art and the individual in African masquerades'; French summary | |||
Faces of tradition in Chinese performing arts | 2018 | Journal of folklore research 55 (1): 1-19 | H6/KF [INDIANA-] | 0737-7037 | introduction to special issue | |||
Grasping intangible heritage and reimagining Inner Mongolia: folk-artist albums and a new logic for musical representation in China | 2018 | Journal of folklore research 55 (1): 21-48 | H6/KF [INDIANA-] | 0737-7037 | in special issue 'Faces of tradition in Chinese performing arts' | |||
Chinese singing contests as sites of negotiation among individuals and traditions | 2018 | Journal of folklore research 55 (1): 49-75 | H6/KF [INDIANA-] | 0737-7037 | in special issue 'Faces of tradition in Chinese performing arts' | |||
Dynamic inheritance: representative works and the authoring of tradition in Chinese dance | 2018 | Journal of folklore research 55 (1): 77-111 | H6/KF [INDIANA-] | 0737-7037 | in special issue 'Faces of tradition in Chinese performing arts' | |||
The Spanish Gitanos of Mexico City: rhythmicity, mimesis and domestication of the payos | 2018 | Annuaire roumain d'anthropologie 55: 125-40 | H6/HB [ANNUAIRE-] | 0039-3886 | ||||
Hizbullah’s post-Islamist resistance art | 2018 | Journal of Islamic thought and civilisation 8 (1): 24-39 | 2520-0313 |