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TitleDateReferenceAuthorsCall #ISSN
Genèse atikamekw du Wapikoni mobile2104 Recherches amérindiennes au Québec 44 (1): 119-21
  • Manon Barbeau
H6/KUB [RECHERCHES-]0318-4137in special issue 'Les Atikamekw Nehirowisiwok: territorialités et savoirs'
Smashing the imperial frame: race, culture, (de)coloniality2020 Theory, culture and society 37 (1): 113-45
  • Muneeb Hafiz
H6 [THEORY-]0263-2764
Approaching media industries comparatively: a case study of streaming2019 International journal of cultural studies 22 (3): 349-66
  • Amanda D. Lotz
  • Daniel Herbert
  • Lee Marshall
In the name of the nation: media classification, globalisation, and exceptionalism2019 International journal of cultural studies 22 (3): 383-99
  • Catherine Driscoll
  • Liam Grealy
'Announcement' trailers and the inter-temporality of Hollywood blockbusters2019 International journal of cultural studies 22 (3): 434-49
  • Carter Moulton
Filming Fore, shooting scientists: medical research, experimental filmmaking, and documentary cinema2019 Visual anthropology 32 (2): 109-27
  • Warwick Anderson
*H6 [VISUAL-]0894-9468in special issue 'Physiology and epidemiology: a visual anthropology dimension'
'Getting the seat of your pants dirty': space and place in ethnographic educational research2019 Ethnography 20 (2): 263-83
  • M.L. White
H6/KF [ETHNOGRAPHY-]1466-1381
Poetics and praise and image-texts of cinematic encompassment2019 Journal of linguistic anthropology 29 (1): 69-94
  • Constantine V. Nakassis
H6/KK [JOURNAL-]1055-1360
Tum Toh Mohammed Rafi Nikle: the song sequence in contemporary Hindi cinema2019 South Asian popular culture 17 (2): 133-44
  • Aakshi Magazine
H6/KW [SOUTH-]1474-6689
Nobody puts Rani in the corner: making the new Indian woman in Queen (2014)2019 South Asian popular culture 17 (2): 145-57
  • Anupama Arora
H6/KW [SOUTH-]1474-6689
Histories, memories and the male gaze: the Mumbai riots in Bombay2019 South Asian popular culture 17 (2): 159-69
  • Smithi Mohan J. S.
H6/KW [SOUTH-]1474-6689
The neo-liberal city and cinema: Deccani films2019 South Asian popular culture 17 (2): 185-96
  • C. Yamini Krishna
H6/KW [SOUTH-]1474-6689
Prefiguring as an indigenous narrative tool in Nigerian cinema: an ethnomusicological reading2019 Ethnomusicology 63 (2): 159-83
  • Emaeyak Peter Sylvanus
Queering the barrios: the politics of space and sexuality in Mariana Rondón's film, Pelo malo (2013)2019 Bulletin of Latin American research 38 (S1): 158-80
  • Rebecca Jarman
*H6/KUL [BULLETIN-]0261-3050in supplement issue 'The politics of culture in the Chávez era'
"Not art for art's sake": social economic strategies in Cameroonian video production2019 Cahiers d'études africaines 59 (3): 723-46
  • Giovanna Santanera
H6/KY [CAHIERS-]English summary
Women as angry, muted subjects in Nepali films2019 Paragrana: internationale Zeitschrift für historische Anthropologie 28 (1): 130-46
  • Dikshya Karki
H6/KF [PARAGRANA-]0938-0116in special issue 'Out of space. Sensory practices and placemaking'
Xenia - Debt at home, debt is always foreign2019 Social science information 58 (3): 521-35
  • Stathis Gourgouris
H6/KF [SOCIAL-]0539-0184in special issue 'Debt, time, creation'; French summary
The spirit is willing, but the flesh is weak: embodied transcendence and sacred spectorship in The Robe (1953)2019 Material religion 15 (3): 347-68
  • Thomas J. West III
H6/KFO [MATERIAL-]1743-2200
Roma: Cleo's story and indigenous depictions in Mexican cinema2019 First American art magazine 24 (Fall): 38-41
  • Jeannette Martinez
H6/KUB [FIRST-]2333-5548
"In constant fellowship with one unseen": negotiations with the Native other and American national identity in Helen Hunt Jackson's Ramona2019 Journal of the Southwest 61 (3): 571-93
  • Alex McDonnell
*H6/KUB [JOURNAL-]0894-8410
The changing portrayal of dancers in Egyptian films: three roles in the career of Tahia Carioca (1946, 1958 and 1972)2019 Anthropology of the Middle East 14 (1): 6-22
  • Carolina Bracco
*H6/KW [ANTHRO-]1746-0719in special issue 'Visual anthropology in the Middle East'
A film never completed: representing social relations in a mixing neighbourhood2019 Anthropology of the Middle East 14 (1): 108-24
  • Regev Nathansohn
*H6/KW [ANTHRO-]1746-0719in special issue 'Visual anthropology in the Middle East'
Residential school gothic and red power: genre friction in Rhymes for Young Ghouls2019 American Indian culture and research journal 42 (4): 43-66
  • Jennifer Henderson
H6/KUB [AMERICAN-]0161-6463
From Pussy Riot's 'punk prayer' to Matilda: Orthodox believers, critique, and religious freedom in Russia2019 Journal of contemporary religion 34 (3): 427-45
  • Dmitry Uzlaner
  • Kristina Stoeckl
H6/KFO [JOURNAL-]1353-7903
Des images en panne? Défectibilité des vidéos d'un village roumain2019 Techniques et culture (72): 148-62
  • Jonathan Larcher
*H6 [TECHNIQUES-]0248-6016in thematic issue 'En cas de panne'
Pilgrimages and rite-of-passage trips in four Iberoamerican films2019 International journal of anthropology 34 (3-4): 181-97
  • G.L. Corinto
  • M. Gómez-Ullate
  • M.J. González Manrique
Postproduction, archive, and memory in the work of César Schofield Cardoso2019 Nka: journal of contemporary African art 44: 94-107
  • Ana Nolasco
H6/KY [NKA-]1075-7163
'The green pastures and still waters' in Malayalam cinema: reflections on environmental legacies, Christianity, and minority politics2019 South Asian popular culture 17 (1): 247-67
  • Ambili Anna Markose
H6/KW [SOUTH-]1474-6689
Disobedient bodies: gendered violence in South Asian and desi films2019 South Asian popular culture 17 (1): 269-82
  • Pascal Zinck
H6/KW [SOUTH-]1474-6689
The realities of 'reel' life: representation and portrayals of gender, sexuality, and sexually transgressive behaviour in the Hindi film industry in the 21st century2019 South Asian popular culture 17 (1): 305-17
  • Mira Metha
H6/KW [SOUTH-]1474-6689in thematic section 'Representation in Bollywood'
From Saira to Scouser: the evolving representation of white femininty in popular Hindi cinema2019 South Asian popular culture 17 (1): 319-26
  • Alexandra Delaneyp-Bhattarchaya
H6/KW [SOUTH-]1474-6689in thematic section 'Representation in Bollywood'
From Sujara to Cachra: decoding Dalit representation in popular Hindi cinema2019 South Asian popular culture 17 (1): 327-36
  • Vishal Chauhan
H6/KW [SOUTH-]1474-6689in thematic section 'Representation in Bollywood'
Parental socialization and the consumption of domestic films, books and music2018 Journal of consumer culture 18 (1): 103-30
  • Marcel Lubbers
  • Maykel Verkuyten
  • Roza Meuleman
H6 [JOURNAL-]1469-5405
The politics of age and generation at the GAZE International LGBT Film Festival in Dublin2018 Sociological review 66 (1): 191-206
  • Christian Klesse
  • Jon Binnie
H6/KF [SOCIOLOGICAL-]0038-0261
Arrival: anthropology in Hollywood2018 Anthropology today 34 (1): 7-10
  • David Sutton
Resistance through realism: youth subculture films in 1970s (and 1980s) Britain2018 European journal of cultural studies 21 (2): 165-88
  • Nathaniel Weiner
H6/KF [EUROPEAN-]1367-5494
Immersion, authenticity and the theme park as social space: experiencing the wizarding world of Harry Potter2018 International journal of cultural studies 21 (2): 173-88
  • Abby Waysdorf
  • Stijn Reijnders
Conceptualising on-screen tourism destination development2018 Tourist studies 18 (1): 83-104
  • Christine Lundberg
  • Nigel Morgan
  • Vassilios Ziakas
H6/KD [TOURIST-]1468-7976
The migration genre in La jaula de oro: voids and virtues2018 Studies in Latin American popular culture 36: 47-68
  • Richard Curry
*H6/KUL [STUDIES-]0730-9139
Micro-exclusions, raunch aesthetics and in-jokes: a rogue Hmong raciosexual parody2018 Visual anthropology 31 (1-2): 93-115
  • Bee Vang
  • Louisa Schein
*H6 [VISUAL-]0894-9468in special issue 'Myriad modernities: Southeast Asian/Diasporic visual cultures'
Fooled by love: Việt kiều intimacy in Charlie Nguyen's Đê' Mai tính2018 Visual anthropology 31 (1-2): 116-48
  • Nguyen Tan Hoang
*H6 [VISUAL-]0894-9468in special issue 'Myriad modernities: Southeast Asian/Diasporic visual cultures'
Engaging with popular media through tourism: a brief introduction2018 Tourist studies 18 (3): 257-60
  • Madelene McWha
H6/KD [TOURIST-]1468-7976in special issue 'Engaging with popular media through tourism'
Moral publics: human trafficking, video films and the responsibility of the postcolonial subject2018 Visual anthropology 31 (3): 236-52
  • Alessandro Jedlowski
*H6 [VISUAL-]0894-9468
Cinema itself: cinephobia, filmic anxieties, and ontologies of the moving image in Pakistan2018 Visual anthropology 31 (3): 253-67
  • Timothy P. A. Cooper
*H6 [VISUAL-]0894-9468
Cowboys and aliens: body techniques and audience reception in Malaita, Solomon Islands2018 Visual anthropology 31 (3): 292-306
  • Geoffrey Hobbis
*H6 [VISUAL-]0894-9468
Polyface in paradise: exploring the politics of race, gender, and place2018 The contemporary Pacific 30 (2): 329-53
  • Kalissa Alexeyeff
  • Yuki Kihara
*H6/KX [CONTEMPORARY-]1043-898Xin special issue 'Repossessing paradise'
Hauntological environmental art: the photographic frame and the nucleas afterlife of Chernobyl in Lina Selander's Lenin's lamp2018 Journal of visual culture 17 (2): 223-37
  • Lisa E. Bloom
H6/KF [JOURNAL-]1470-4129in thematic issue 'Affect at the limits of photography'
On the face of the photograph, and the moving image: geopolitical affect in the speculative landscapes of Connie Samaras2018 Journal of visual culture 17 (2): 238-52
  • Lisa Cartwright
H6/KF [JOURNAL-]1470-4129in thematic issue 'Affect at the limits of photography'
Filming sea-level rise: media encounters and memory work in the Indian Sundarbans2018 Journal of the Royal Anthropological Institute (New Series) 24 (3): 475-92
  • Arne Harms
H6 [JOURNAL-]1359-0987French summary
Film that brings human rights to life2018 Public culture 30 (3): 393-412
  • Kate Nash
H6/KF [PUBLIC-]0899-2363