Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Interactive oral composition: resources, strategies, and the construction of improvised utterances in a Finnish rap battle | 2019 | Journal of American folklore 132 (523): 3-35 | H6/KF [JOURNAL-] | 0021-8751 | ||||
Negotiating violence and creative agency in commissioned Mexican narco rap | 2019 | Bulletin of Latin American research 38 (3): 347-62 | *H6/KUL [BULLETIN-] | 0261-3050 | ||||
Forging traditions: continuity and change in the mid 2000s Australian hip-hop scene | 2019 | Ethnomusicology forum 28 (2): 2017-40 | H6/KFYV [BRITISH-] | 1741-1912 | ||||
From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam | 2018 | Journal of African cultural studies 30 (1): 65-80 | *H6/KY [JOURNAL-] | 1369-6815 | in special issue 'Margins and the their im/possibilities: edgy textualities and encounters in Easter African imaginaries' | |||
Reporting on selective voices of 'resistance': secularism, class and 'Islamist' rap | 2018 | International journal of cultural studies 21 (4): 343-58 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Artistes de rap sénégalais en mobilité. Performer des appartenances au cours de l'événement musical | 2018 | Tsantsa (23): 110-14 | H6/KF [TSANTSA-] | 1420-7834 | ||||
Love, struggle, and compromises: the political seriousness of Nairobi underground hip-hop | 2018 | African studies review 61 (2): 111-33 | *H6/KY [AFRICAN-] | 0002-0206 | in thematic section 'Forum on post-colonial and contemporary Kenya dedicated to Elliot Fratkin and Richard Waller'; French summary | |||
Authorship, subjectivity and resistance in the mainstream: a lesson from Israeli rap | 2018 | European journal of cultural studies 21 (4): 452-68 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
The moral priorities of rap listeners | 2018 | Journal of cognition and culture 18 (3-4): 312-42 | H6 [JOURNAL-] | 1567-7095 | ||||
Love, struggle, and compromises: the political seriousness of Nairobi underground hip hop | 2018 | African studies review 61 (2): 111-33 | *H6/KY [AFRICAN-] | 0002-0206 | in thematic section 'Forum on post-colonial and contemporary Kenya dedicated to Elliot Fratkin and Richard Waller' with introduction by B Ng'weno and P Ocobock, 106-10; French summary | |||
Du bwiti en clips et en cassettes: la transnationalisation des musiques initatiques du Gabon | 2018 | Civilisations 67: 57-75 | H6 [CIVILISATIONS-] | 0009-8140 | in special issue 'Sounding religious transnationalism'; English summary | |||
To register the (in)visible: roles and fighting repertoire within the two first RAP female groups recorded in Portugal (1989-1997) | 2018 | Cadernos de arte e antropologia 17 (1): 97-114 | in thematic issue 'Juventudes e músicas digitais periféricas'; English summary | |||||
Guest editors’ introduction: hip hop constellations | 2017 | Suomen antropologi 42 (2): 3-9 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
Thugs and gangsters: imagination and the practice of rapping in Dar es Salaam | 2017 | Suomen antropologi 42 (2): 10-24 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
The discursive creation of a subculture by conscious rap adherents in South Africa | 2017 | Suomen antropologi 42 (2): 25-42 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
The ethnography of hip hop nostalgia: indigeneity, intimacy and ‘roots’ in Mexico | 2017 | Suomen antropologi 42 (2): 43-59 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
Hip hop practice as identity and memory work in and in-between Chile and Sweden | 2017 | Suomen antropologi 42 (2): 60-74 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
‘Featuring the System’: hip hop pedagogy and Danish integration policies | 2017 | Suomen antropologi 42 (2): 75-93 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
Keepin' it in the family: cultural relatedness and hip-hop constellations in Kampala, Uganda | 2017 | Suomen antropologi 42 (2): 94-108 | H6 [SUOMEN -] | 0355-3930 | in special issue 'Hip-hop constellations' | |||
Engendering musical ethnography | 2017 | Ethnomusicology 61 (3): 446-67 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
From "La manif pour tous" to Identity based rap music. The circulation of antifeminist, heterosexism and anti-Semitic speech in France | 2017 | Cahiers de litterature orale 82: 121-45 | H6/KF [CAHIERS-] | 0396-891X | in thematic issue 'Jouer avec le genre dans les arts de la parole'; English summary | |||
A mystical cosmopolitanism: Sufi hip hop and the aesthetics of Islam in Dakar | 2017 | Culture and religion 18 (4): 388-408 | H6/KFO [SCOTTISH-] | 1475-5610 | in special issue 'Religion, art, and creativity in the global city' | |||
Locating hip hop origins: popular music and tradition in Senegal | 2016 | Africa 86 (2): 237-62 | H6/KY [AFRICA-] | 0001-9720 | French summary | |||
Centro del margen: crónica de un día en un estudio de grabación clandestino de música rap en Buenos Aires | 2016 | Studies in Latin American popular culture 34: 28-55 | *H6/KUL [STUDIES-] | 0730-9139 | English summary | |||
Humor and parody in Finnish rap music videos | 2016 | European journal of cultural studies 19 (6): 616-36 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
'Young soldiers, one day we will change Taiwan': masculinity politics in the Taiwan rap scene | 2016 | Ethnomusicology 60 (3): 383-410 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
Rap as Korean rhyme: local enregisterment of the foreign | 2016 | Journal of linguistic anthropology 26 (3): 278-03 | H6/KK [JOURNAL-] | 1055-1360 | ||||
'Hidrunisa Samora': invocations of a dead political leader in Maputo rap | 2016 | Journal of southern African studies 42 (6): 1161-77 | H6/KY [JOURNAL-] | 0305-7070 | ||||
Resistant masculinities in alternative R&B? Understanding Frank Ocean and The Weekend's representation of gender | 2015 | European journal of cultural studies 18 (3): 245-64 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
'Mic power': 'public' connections through the hip hop nation in Kampala | 2014 | Ethnography 15 (1): 88-105 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | in special issue 'Civic mediations' | |||
'Spitting lines - spitting brands': a critical analysis of brand usage in Polish rap | 2014 | European journal of cultural studies 17 (6): 736-52 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
The gaze between two shores. Migration and exile in Senegalese rappers' discourse | 2014 | Cahiers d'études africaines 54 (1-2): 415-49 | H6/KY [CAHIERS-] | 0008-0055 | in special issue 'Les mots de la migration'; English summary | |||
"Gaboma", "Kainfri" and "Afropean". Circulation, creation and transformation of identity categories in Gabonese hip-hop | 2014 | Cahiers d'études africaines 44 (4): 945-74 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'Musiques dans l'Atlantique noir'; English summary | |||
The role of new and social media in Tanzanian hip-hop production | 2014 | Cahiers d'études africaines 44 (4): 1115-36 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'Musiques dans l'Atlantique noir'; French summary | |||
Battling the race: stylizing language and coproducing whiteness and colouredness in a freestyle rap performance | 2014 | Journal of linguistic anthropology 24 (3): 277-93 | H6/KK [JOURNAL-] | 1055-1360 | ||||
Contemplation and identity practices of youth in Cova da Moura (Amadora, Portugal) | 2014 | Cadernos de arte e antropologia 3 (2): 91-105 | English summary | |||||
Keepin' it real: London youth hip hop as an authentic performance of belief | 2013 | Journal of contemporary religion 28 (2): 295-308 | H6/KFO [JOURNAL-] | 1353-7903 | in special issue 'Belief as cultural performance' | |||
NIGGA: the 21st-century theoretical superhero | 2013 | Cultural anthropology 28 (3): 556-63 | H6 [CULTURAL-] | 0886-7356 | in thematic section 'Sitting at the kitchen table: fieldnotes from women of color in anthropology' | |||
The sounds of music in Tehran | 2013 | Anthropology of the Middle East 8 (1): 24-39 | *H6/KW [ANTHRO-] | 1746-0719 | ||||
Unravelling distinct voices in Moroccan rap: evading control, weaving solidarities, and building new spaces for self-expression | 2013 | Journal of African cultural studies 25 (3): 319-32 | *H6/KY [JOURNAL-] | 1369-6815 | in special issue 'Contemporary Moroccan cultural production: between dissent and co-optation'; Arabic summary | |||
German identity, culture and language in German rap-music | 2013 | Zeitschrift für Ethnologie 138 (1): 37-54 | H6 [ZEITSCHRIFT-] | 0044-2666 | English summary | |||
A rap music "based on strength". The making of masculinity in Liberville's rap scene | 2013 | Cahiers d'études africaines (209-210): 143-72 | H6/KY [CAHIERS-] | 0008-0055 | in special issue 'Masculin pluriel'; English summary | |||
Blackness, race, and language politics in Japanese hiphop | 2013 | Transforming anthropology 21 (2): 135-52 | H6 [TRANSFORMING-] | 1051-055 | ||||
Raising the bar: changes of rhythms in rap performance | 2013 | Cahiers de litterature orale (73/74): 141-55 | H6/KF [CAHIERS-] | 0396-891X | in thematic issue 'D'un rhytme à l'autre'; English summary | |||
Rez style: themes of resistance in Canadian Aboriginal rap music | 2013 | Canadian journal of native studies 33 (1): 169-88 | *H6/KUB [CANADIAN-] | 0715-3244 | French summary | |||
Estilo de vida e atuação política de jovens do hip-hop em Sergipe | 2013 | Revista de antropología (São Paulo) 56 (2): 509-44 | H6/KUL [REVISTA-] | 0034-7701 | English summary | |||
'Here come the cops': policing the resistance in rap music | 2012 | International journal of cultural studies 15 (4): 349-63 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Recontextualising YouTube: from macro-micro to mass-mediated communicative repertoires | 2012 | Anthropology and education quarterly : 214-27 | H6 [COUNCIL-] | 0161-7761 | in special issue 'Beyond macro and micro in the linguistic anthropology of education' | |||
Reconsidering prevention through the hip-hop movement | 2012 | L'Autre: cliniques, cultures et sociétés 13 (3): 306-30 | H6 [AUTRE-] | 1626-5378 | English and Spanish summaries | |||
Su raap: Sardinian hip hop between mass culture and local specificities | 2012 | Journal of Mediterranean studies 21 (2): 349-66 | H6 [JOURNAL-] | 1016-3476 | in special issue 'Translations across the Mediterranean' |