Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
Treaty 6 Cree annuity spending in the territorial economy of western Canada, 1873-1905 | 2020 | Ethnohistory 67 (1): 29-48 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | ||||
“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
"For something that was ours…now it belongs to all of humanity": world heritage as the expression of conflicts | 2020 | Chungará 52 (1): 161-73 | H6/KUL [CHUNGARA-] | 0716-1182 | English summary | |||
“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Chinese and Arabic summaries | |||
Expressive currencies. Artistic transactions and transformations of warrior-inspired masquerades in Calabar | 2019 | African arts 52 (1): 18-33 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria' | |||
On the politics of folk song theory in Edwardian England | 2019 | Ethnomusicology 63 (1): 19-42 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
'Timbeando en Nueva York': Cuban Timba takes root abroad | 2019 | Ethnomusicology 63 (1): 105-36 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | ||||
On un-silencing voices: tarantismo and the gendered heritage of Apulia | 2019 | Folk life 57 (1): 42-55 | H6/KVC [FOLK-] | 0008-3496 | ||||
"Doing Rano" among the Kaili of central Sulawesi: a choreomusicological analysis of the body as cultural locus of the sound-movement continuum | 2019 | Asian music 50 (2): 33-57 | *H6/KFYV [ASIAN-] | 0044-9202 | Indonesian summary | |||
The funeral of King Rama IX: mourning and the Thai state | 2019 | Asian music 50 (2): 122-60 | *H6/KFYV [ASIAN-] | 0044-9202 | Thai summary | |||
Three-fold experience: 'Kupiškėnai weddings' | 2019 | Liaudies kultūra 1: 58-68 | H6/KVT [LIAUDIES-] | 0236-0551 | interview with Alma Pustovaitienė, Ina Mudurienė and Gintautas Vaitonis; English summary | |||
Bodies that cannot listen | 2019 | Anthropological journal of European cultures 28 (1): 67-71 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | in thematic section 'European bodies' | |||
Captains and priestesses in Afro-Brazilian Congado and Candomblé | 2019 | Ethnomusicology 63 (2): 184-221 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Portuguese summary | |||
Oral traditions and mounds, owls and movement at Poverty Point: an archaeological ethnography of multispecies embodiments and everyday life | 2019 | Journal of social archaeology 19 (3): 356-78 | H6/KE [JOURNAL-] | 1469-6053 | ||||
Throbbing crowds: of dancing grannies and acoustic milieus in contemporary China | 2019 | Social science information 58 (2): 377-89 | H6/KF [SOCIAL-] | 0539-0184 | French summary | |||
The Epa masquerades of Èkìtì: a structural approach | 2019 | African arts 52 (3): 16-27 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Musik-Filmische Teilhabekonstellationen als Partizipationsversprechen und situiertes Wissen in The queen of silence (2014) und And-Ek Ghes... (2016) | 2019 | Paragrana: internationale Zeitschrift für historische Anthropologie 28 (1): 153-74 | H6/KF [PARAGRANA-] | 0938-0116 | in special issue 'Out of space. Sensory practices and placemaking' | |||
Grooving heavy, dancing drunk: gustemic metaphor and mimetic polytemporality in Anatolian Greek music | 2019 | Ethnomusicology 63 (3): 393-417 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | Greek summary | |||
Ohuakhai: transmitter of biocultural heritage for Sakha of northeastern Siberia | 2019 | Journal of ethnobiology 39 (3): 409-24 | *H6 [JOURNAL-] | 0278-0771 | in special issue 'Ethnobiology through song' | |||
Creation to rhythm: an ethnographic and archaeological survey of turtle shell rattles and spirituality in the United States | 2019 | Journal of ethnobiology 39 (3): 425-44 | *H6 [JOURNAL-] | 0278-0771 | in special issue 'Ethnobiology through song' | |||
From Goa to Rabin Square: notes for a research on the uses and meanings of psychedelic trance music and parties in Israel | 2019 | Etnográfica: revista do Centro de Estudos de Antropologia Social 23 (1): 221-39 | H6 [ETNOGRAFICA-] | 0873-6561 | Portuguese summary | |||
Tradition of Christmas youth gatherings at the Vishera River (Komi Republic) | 2019 | Folklore (Tartu) 76: 99-118 | H6/KVT [FOLKLORE-] | 1406-0957 | in special issue 'Komi folklore studies' | |||
Tongan brass bands: an expanding tradition | 2019 | The World of Music 8 (2): 39-56 | H6/KFY [WORLD-] | 0043-8774 | in special issue 'Brass bands in the Pacific' | |||
Dancing faith: contemporary Christian dance in Norway | 2019 | Journal of contemporary religion 34 (3): 529-49 | H6/KFO [JOURNAL-] | 1353-7903 | ||||
Music and dance as export and import: a case study of Japan in Europe and Hawaiʻi in Japan | 2019 | Journal for the anthropological study of human movement 26 (1) | *H6/KFYW [JOURNAL-] | 1940-7610 | ||||
An absent cloth: authority, costume, and embodiment in Kathak | 2019 | Journal for the anthropological study of human movement 26 (1) | *H6/KFYW [JOURNAL-] | 1940-7610 | ||||
The historical path of Sahu ceremonial textiles | 2019 | Archipel (98): 121-50 | *H6/KX [ARCHIPEL-] | 0044-8613 | ||||
"Jajeroki": body, dance, and alterity among the Mbya Guarani | 2019 | Revista de antropología (São Paulo) 62 (2): 350-81 | H6/KUL [REVISTA-] | 0034-7701 | English summary | |||
On pacts with the devil, the siren and the Apus: non-humans in the constitution of the danzantes de Tijeras's body (Ayacucho, Peru) | 2019 | Revista de antropología (São Paulo) 62 (2): 382-402 | H6/KUL [REVISTA-] | 0034-7701 | English summary | |||
Performing gender, class and nation: Rukmini Devi Arundale and the impact of Kalakshetra | 2019 | South Asia research 39 (3): 61S-79S | H6/KWL [SOUTH-] | 0262-7280 | supplement | |||
"Transporting the notes": urbanization and westernization in the music of the northeastern Aegean islands in the nineteenth and twentieth century | 2019 | Folk life 57 (2): 95-121 | H6/KVC [FOLK-] | 0008-3496 | ||||
Koujpapataninij. The Voladores dance, Maseual time and territory | 2018 | Anales de antropología 52 (1): 85-8 | H6/KUL [ANALES-] | 0185-1225 | ||||
The Khmer Rouge, ritual and control | 2018 | Asian journal of social science 46 (1/2): 79-110 | H6/KW [ASIAN-] | 1568-4849 | ||||
The case of the recurring Woodabe: visual obsessions in globalizing markets | 2018 | African arts 51 (1): 24-45 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
From the Calendas to the Calenda: on the Afro-Iberian substratum in black performance culture in the Americas | 2018 | Journal of American folklore 131 (519): 3-29 | H6/KF [JOURNAL-] | 0021-8751 | ||||
The evolution of human dance: courtship, rites of passage, trance, calendrical ceremonies and the professional dancer | 2018 | Cambridge archaeological journal 28 (2): 283-98 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Maria Tallchief, (Native) America's prima ballerina: autobiographies of a postindian princess | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (1): 50-70 | *H6/KUB [SAIL-] | 0730-3238 | ||||
Embodied signs: reading gesture and posture in Classic Maya dance | 2018 | Latin American antiquity 29 (2): 368-85 | *H6/KE [LATIN-] | 1045-6635 | Spanish summary | |||
Dance to cure homesickness - Reflections on using video in a music re-creation experience | 2018 | Revista de antropología (São Paulo) 61 (1): 147-75 | H6/KUL [REVISTA-] | 0034-7701 | English summary | |||
Tamil Dalit art and identity: what to do with the drum? | 2018 | South Asia research 38 (2): 140-55 | H6/KWL [SOUTH-] | 0262-7280 | ||||
Ethnic and village unity: symbolized or enacted? Lahu music-dance and ethnic participation in Ban Musoe, Thailand | 2018 | Asian music 49 (2): 71-105 | *H6/KFYV [ASIAN-] | 0044-9202 | Thai summary | |||
Surfing the Korean wave: wonder guys and the crisis of Thai masculinity | 2018 | Visual anthropology 31 (1-2): 45-65 | *H6 [VISUAL-] | 0894-9468 | in special issue 'Myriad modernities: Southeast Asian/Diasporic visual cultures' | |||
Sino-Burmese revolutionary music and dance in changing time and space | 2018 | Journal of archaeology and anthropology (88): 35-82 | H6/KWS [TAIWAN-] | 0077-5483 | English summary | |||
Living list | 2018 | Liaudies kultūra 2: 37-50 | H6/KVT [LIAUDIES-] | 0236-0551 | interview with Vida Šatkauskienė; English summary | |||
The Oklahoma Indian ballerinas | 2018 | First American art magazine 19: 32-7 | H6/KUB [FIRST-] | 2333-5548 | ||||
With the Dance of the Flyers at Tajin, the hurricane wind flies | 2018 | Anales de antropología 52 (2): 111-21 | H6/KUL [ANALES-] | 0185-1225 | English summary | |||
Digital technology and a community framework for heritage rock art tourism, Makgabeng Plateau, South Africa | 2018 | African archaeological review 35 (2): 269-84 | *H6/KE [AFRICAN-] | 0263-0338 | in special section 'Rock art and community engagement'; in special issue 'African rock art and digital practice'; French summary | |||
Dancing the word: techniques of embodied authority among Christian praise dancers in New York City | 2018 | American ethnologist 45 (3): 380-91 | H6 [AMERICAN-] | 0094-0496 | ||||
Acts of omission and commission in the embodied learning of diasporic capoeira and swimming | 2018 | Qualitative research 18 (5): 565-79 | H6 [QUALITATIVE-] | 1468-7941 | in special issue 'Sara Delamont: a Festschrift' | |||
Firecloud's Omaha dance clothing | 2018 | Whispering wind 46 (3): 6-19 | *H6/KUB [WHISPERING-] | 0300-6565 |