Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
The art of identity: the image and the image maker | 2019 | First American art magazine 22: 46-50 | H6/KUB [FIRST-] | 2333-5548 | ||||
Dakota women of Ft. Totten, Spirit Lake, North Dakota | 2019 | Whispering wind 47 (1): 28-31 | *H6/KUB [WHISPERING-] | 0300-6565 | ||||
The sitter's impression: memory and early modern portrait medallions | 2019 | Journal of material culture 24 (3): 293-312 | H6/KF [JOURNAL-] | 1359-1835 | ||||
Around the sieve. Motif, symbol, hermeneutic | 2019 | Textile: the journal of cloth and culture 17 (1): 4-27 | H6/KGG [TEXTILE-] | 1475-9756 | ||||
Cultural models of raça: the calculus of Brazilian racial identity | 2019 | Journal of anthropological research 75 (2): 157-82 | H6 [SOUTHWESTERN-] | 0091-7710 | ||||
Nineteenth-century Haitian portraiture and the critique of anachronism in Caribbean art | 2019 | Nka: journal of contemporary African art 44: 8-23 | H6/KY [NKA-] | 1075-7163 | ||||
Self-portraiture and representations of Blackness in the Work of Donald Rodney | 2019 | Nka: journal of contemporary African art (45): 74-86 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Eugene Palmer and Barbara Walker photography and the Black subject | 2019 | Nka: journal of contemporary African art (45): 100-13 | H6/KY [NKA-] | 1075-7163 | in special issue 'Black British art histories' | |||
Metabolic aesthetics: on the feminist scentscapes of Anicka Yi | 2019 | Food Culture and Society 22 (5): 692-712 | H6/KF [FOOD-] | 1751-7443 | in special issue 'Edible feminisms: on commodities, wastes, and (un)intended consequences' | |||
Paintings from afar | 2018 | Tribal art 87: 148-59 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Observance, note toward decipherability | 2018 | Journal of visual culture 17 (1): 68-96 | H6/KF [JOURNAL-] | 1470-4129 | ||||
Typical images. Physical anthropology and photography in the United States in the 1920-30s | 2018 | Gradhiva: revue de anthropology et museologie 27: 118-43, 267 | H6 [GRADHIVA-] | 0764-8928 | in thematic issue 'Sur le vif: photographie et anthropologie'; English summary | |||
Portraits, characters and persons | 2018 | Andean pastQJ+1 And Past Social anthropology 26 (2): 197-210 | H6/KF [SOCIAL-] | 0964-0282 | in special section 'Subjects of character (part 1)'; French summary | |||
Searching for the origin(al). On the photographic portrait of the Mouride Sufi saint Amadou Bamba | 2018 | Cahiers d'études africaines 58 (2): 323-48 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'Photographies contestataires, useages contestés'; French summary | |||
Photographs of Samori Touré: from the colonial postcard to record covers. Circulation of an iconic picture | 2018 | Cahiers d'études africaines 58 (2): 301-22 | H6/KY [CAHIERS-] | 0008-0055 | in thematic issue 'Photographies contestataires, useages contestés'; English summary | |||
The imagistic, indigenized "I": Native self-portraiture in photography | 2018 | First American art magazine 18: 36-43 | H6/KUB [FIRST-] | 2333-5548 | ||||
New technique in facial reconstruction: the case of Giovanni Battista Morgagni | 2018 | Anthropologischer Anzeiger 75 (2): 131-40 | H6/HB [ANTHROPOLOGISCHER-] | 0003-5548 | ||||
J.O. Lewis and the Aboriginal portfolio | 2018 | Tribal art (89): 134-45 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Gobierno y cosmos: cabezas colosales y tronos | 2018 | Arqueología mexicana 25 (150): 50-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | in special section 'Los Olmecas de San Lorenzo, Veracruz' | |||
Happy birthday Mama Winnie! The cultural politics of nostalgic portraits on the Twitter feed of @WinnieMandela | 2018 | International journal of cultural studies 21 (5): 520-38 | H6/KF [INTERNATIONAL-] | 1367-8779 | ||||
Chaco facial designs | 2018 | Archaeology Southwest 32 (2/3): 40 | H6/KE [ARCHAEOLOGY-] | 1523-0546 | in monographic issue 'Chacoan archaeology at the 21st century' | |||
Controversy and human agency in 'portrait masks' from the studio of André Sanou | 2018 | Africa 88 (4): 768-801 | H6/KY [AFRICA-] | 0001-9720 | in thematic section 'Art and the individual in African masquerades'; French summary | |||
Uvanga/self | 2018 | Inuit art quarterly 31 (3): 34-9 | *H6/KFY [INUIT-] | 0831-6708 | ||||
The simulacrum of martyrdom. Manufacture, distribution and devotion of holy bodies in ceroplasty | 2018 | Archives de sciences sociales des religions 63 (183): 167-87 | H6/KFO [ARCHIVES-] | 0335-5985 | in special issue 'Façonner l'object de dévotion chrétien: fabrication, commerce et circulations (XVIe-XIXe siècles)'; English and Spanish summaries | |||
Second life of bodies in New Guinea | 2018 | Annals of the Náprstek Museum 39 (1): 5-20 | H6/KVL [PRAGUE-] | 0231-844X | ||||
A family portrait: Enrique Stanko Vráz and the Qing aristocracy during the Boxer rebellion | 2018 | Annals of the Náprstek Museum 39 (1): 51-74 | H6/KVL [PRAGUE-] | 0231-844X | ||||
Pipe Spring: Fremont-Anasazi interaction in southeastern Utah | 2018 | American Indian rock art 44: 123-43 | H6/KUB [AMERICAN INDIAN ROCK ART-] | |||||
Les effigies votives grandeur nature en Italie (XVe -XVIIe siècles) | 2018 | Techniques et culture (70): 98-119 | *H6 [TECHNIQUES-] | 0248-6016 | in thematic issue 'Matérialiser les désirs: techniques votives' | |||
Sublime selfies: to witness death | 2018 | European journal of cultural studies 21 (6): 744-60 | H6/KF [EUROPEAN-] | 1367-5494 | ||||
Faces of war | 2018 | Suomen Museo 125: 181-4 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | English summary | |||
Tuberculosis, staring, love and loneliness: Flavia's story | 2018 | Anthropology Southern Africa 41 (3/4): 327-34 | *H6 [SOUTH-] | 2332-3256 | photo essay with commentary by A Müller, 335-7; Portuguese summary | |||
Beyond risk and vulnerability: a commentary on "TB, staring, love and loneliness: Flavia's story" | 2018 | Anthropology Southern Africa 41 (3/4): 327-37 | *H6 [SOUTH-] | 2332-3256 | see photo essay by P du Plessis, S Tshefu, and F Nazer, 327-34; Portuguese summary | |||
An arresting portrayal. Marco Cianfanelli's Release at the Nelson Mandela Capture Site | 2018 | African arts 51 (4): 56-69 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Artistic self-representations in the art collection of the Ferenczy Museum center | 2018 | Studia comitatensia (36): 230-41 | H6/KVN [STUDIA-] | 0133-3046 | English summary | |||
Gud Gii AanaaGung: look at one another | 2018 | ab-Original 2 (2): 265-99 | 2470-6221 | in special issue 'The entangled gaze: indigenous and European views of each other' | ||||
"Rather unusual stuff": Nathan Jackson's early advent of a Tlingit modern | 2018 | ab-Original 2 (2): 300-26 | 2470-6221 | in special issue 'The entangled gaze: indigenous and European views of each other' | ||||
Painting the Basque American diaspora | 2017-2018 | Anuario de Eusko folklore 52: 125-46 | H6/KVE [SOCIEDAD DE ESTUDIOS VASCOS. Anuario] | 0210-7732 | in special issue 'Euskal identitates (k)'; Spanish, French and Basque summaries | |||
Women in opposition: the sociopolitical implications of Loro female face-neck jars of Middle Horizon south coastal Peru | 2017 | Cambridge archaeological journal 27 (1): 55-76 | H6/KE [CAMBRIDGE-] | 0959-7743 | ||||
Frederick Weygold: a rediscovery | 2017 | Tribal art 21 (2): 82-91 | *H6/KFY [WORLD-] | 1354-2990 | ||||
The deferred discovery of Kuyu art | 2017 | Tribal art 21 (2): 92-107 | *H6/KFY [WORLD-] | 1354-2990 | ||||
True likeness | 2017 | British Museum magazine (87): 40-2 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | ||||
Fashioning modernity: dressing the body in Ethiopian portraiture | 2017 | Nka: journal of contemporary African art (40): 56-67 | H6/KY [NKA-] | 1075-7163 | ||||
Facing new flows: subjectivity and the colonial encounter in Plains Indian art | 2017 | World art 7 (1): 65-105 | H6 [WORLD-] | 2150-0908 | ||||
If you were in my sneakers: migration stories in the studio photography of Dakar-based Omar Victor Diop | 2017 | Visual anthropology review 33 (1): 38-50 | H6 [PROGRAM-] | 1053-7147 | ||||
Six Palmyrene portraits destroyed in Manbij, Syria: a salvage reading | 2017 | Bulletin of the American Schools of Oriental Research (377): 71-84 | H6/KW [AMERICAN-] | 0003-097X | ||||
Newly discovered photographs of revolutionary anthropologists Llewellyn Lemont Loud | 2017 | Journal of California and Great Basin anthropology 37 (1): 70-7 | H6/KUB [JOURNAL-] | 0191-3557 | ||||
Creating copies of one's self, autoreflexive experience of the cinematograph | 2017 | L'Autre: cliniques, cultures et sociétés 18 (2): 182-91 | H6 [AUTRE-] | 1626-5378 | English and Spanish summaries | |||
The Maori portraits: Gottfrief Lindauer's New Zealand | 2017 | Tribal art 22 (1): 132-43 | *H6/KFY [WORLD-] | 1354-2990 | ||||
Hia-Ced O'Odham faces | 2017 | Journal of the Southwest 59 (3-4): 606-16 | *H6/KUB [JOURNAL-] | 0894-8410 | in 'Agnes Haury special issue: Accidental anthropologists: recording Hia-Ced O'Odham people and places' | |||
Augustus Washington look to Liberia | 2017 | Nka: journal of contemporary African art (41): 6-13 | H6/KY [NKA-] | 1075-7163 | in thematic issue 'American art, Africa, and the Diaspora' |