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These search results show articles and films where .
TitleDateReferenceAuthorsCall #ISSN
Barbara Winston Blackmun 1928-20182019 African arts 52 (1): 11-13
  • Kate Ezra
H6/KFY [AFRICAN-]0001-9933
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction2019 African arts 52 (1): 15-17
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933introduction to thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Expressive currencies. Artistic transactions and transformations of warrior-inspired masquerades in Calabar2019 African arts 52 (1): 18-33
  • Jordan A. Fenton
H6/KFY [AFRICAN-]0001-9933in thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Warrior masking, youth culture, and gender roles. Masks and history in Aro Ikeji festival2019 African arts 52 (1): 34-45
  • Eli Bentor
H6/KFY [AFRICAN-]0001-9933in thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
In the spirit and in the flesh. Women, masquerades, and the Cross River2019 African arts 52 (1): 46-61
  • Amanda B. Carlson
H6/KFY [AFRICAN-]0001-9933in thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
Igala's royal masks. Borrowed, invented, or stolen?2019 African arts 52 (1): 62-71
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933in thematic issue 'How masks travel: aesthetics, trade, war, and authority in eastern Nigeria'
African arts at the Princeton University Art Museum2019 African arts 52 (1): 72-89
  • Kristen Windmuller-Luna
H6/KFY [AFRICAN-]0001-9933
The museum, colonization, and restitution2019 African arts 52 (3): 1-2, 4-6
  • El Hadji Malick Ndiaye
H6/KFY [AFRICAN-]0001-9933also in French
Restitution and the logic of the postcolonial nation-state2019 African arts 52 (3): 6-8
  • John Warne Monroe
H6/KFY [AFRICAN-]0001-9933
Lost to fire: the African collection of the National Museum of Brazil2019 African arts 52 (3): 12-15
  • Daniel B. Da Silva
H6/KFY [AFRICAN-]0001-9933
The Epa masquerades of Èkìtì: a structural approach2019 African arts 52 (3): 16-27
  • Will Rea
H6/KFY [AFRICAN-]0001-9933
A mask of the Western Kuranko2019 African arts 52 (3): 28-33
  • William Hart
H6/KFY [AFRICAN-]0001-9933
Carving postcolonial Kongo culture: Bakala Kalundi Daniel2019 African arts 52 (3): 34-47
  • Reinhild Kauenhoven Janzen
H6/KFY [AFRICAN-]0001-9933
Continuity and change in Nsukka art: George Odoh's illustration of Things Fall Apart2019 African arts 52 (3): 48-61
  • Chinedu Ene-Orji
H6/KFY [AFRICAN-]0001-9933
Mining time in Sammy Baloji's Mémoire2019 African arts 52 (3): 62-71
  • Gabriella Nugent
H6/KFY [AFRICAN-]0001-9933
Ezio Bassani. 1924-20182019 African arts 52 (2): 9
  • William Hart
H6/KFY [AFRICAN-]0001-9933
Condition report 3: art history in Africa. Debating localization, legitimization and new solidarities2019 African arts 52 (2): 10-17
  • Emi Koide
  • Koyo Kouoh
  • Ruth Simbao
  • Suzana Sousa
  • Ugochukwu-Smooth Nzewi
H6/KFY [AFRICAN-]0001-9933
Masked in metaphors. Counter narratives in the works of Nigerian cartoonist Mike Asukwo2019 African arts 52 (2): 32-9
  • Ganiyu A. Jimoh
H6/KFY [AFRICAN-]0001-9933
Paper beads on the move. Mobilizing trajectories and subjectivities to shape contemporary art in Uganda2019 African arts 52 (2): 40-51
  • Dorah Kasozi
H6/KFY [AFRICAN-]0001-9933
Reconfiguring the Omweso board game. Performing narratives of Buganda material culture2019 African arts 52 (2): 52-65
  • Rose Namubiru Kirumira
H6/KFY [AFRICAN-]0001-9933
Invisible woman. Reclaiming Josephine Ifueko Osayimwese Omigie in the history of the Zaria Art Society and postcolonial modernism in Nigeria2019 African arts 52 (2): 66-79
  • Itohan Osayimwese
H6/KFY [AFRICAN-]0001-9933
Beyond single stories: addressing dynamism, specificity, and agency in the arts of Africa2019 African arts 52 (4): 1-2, 4-6
  • Suzan Elizabeth Galgiardi
  • Yaëlle Biro
H6/KFY [AFRICAN-]0001-9933
Christopher Damon Roy 1947-20192019 African arts 52 (4): 7-8
  • Boureima Diamitani
H6/KFY [AFRICAN-]0001-9933
Bisi Silva, 1962-20192019 African arts 52 (4): 9-11
  • Jumoke Sanwo
H6/KFY [AFRICAN-]0001-9933
African visual cultures and colonial histories: an expanding field2019 African arts 52 (4): 12-17
  • Victoria L. Rovine
H6/KFY [AFRICAN-]0001-9933introduction to special issue 'African visual cultures and colonial histories: an expanding field'
Battles for hearts and minds: the Nogent mosque during World War I2019 African arts 52 (4): 18-33
  • Maureen G. Shanahan
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
Creative mediations: the figurative ceramics of Voania (from) Muba2019 African arts 52 (4): 34-51
  • Carlee S. Forbes
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
I could be happy with you, if you could be happy with me: the playful inventions of a visionary headrest artist from the Msinga region of Kwazulu-Natal2019 African arts 52 (4): 52-65
  • Sandra Klopper
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
A wider loom? French colonial preoccupations with West African weaving2019 African arts 52 (4): 66-83
  • Victoria L. Rovine
H6/KFY [AFRICAN-]0001-9933in special issue 'African visual cultures and colonial histories: an expanding field'
A summer of art?2018 African arts 51 (1): 1-2, 4-7
  • Nadine Siegert
H6/KFY [AFRICAN-]0001-9933
Richard Pankhurst 1927-20172018 African arts 51 (1): 8-9
  • Rebecca M. Nagy
H6/KFY [AFRICAN-]0001-9933
Archive of darkness: William Kentridge's Black Box/Chambre Noire2018 African arts 51 (1): 10-23
  • Ferdinand de Jong
H6/KFY [AFRICAN-]0001-9933
The case of the recurring Woodabe: visual obsessions in globalizing markets2018 African arts 51 (1): 24-45
  • Corinne A. Kratz
H6/KFY [AFRICAN-]0001-9933
The art and material culture of the Eloyi (Afo) people, Nigeria 1969/70: a photographic essay2018 African arts 51 (1): 46-63
  • Anna Craven
H6/KFY [AFRICAN-]0001-9933with comment by S Littlefield Kasfir in this issue, 64-5
Commentary on "The art and material culture of the Eloyi (Afo) people, Nigeria 1969/70: a photographic essay" by Anna Craven2018 African arts 51 (1): 64-5
  • Sidney Littlefield Kasfir
H6/KFY [AFRICAN-]0001-9933see this issue, 46-63
Striking iron: the art of African blacksmiths2018 African arts 51 (1): 66-85
  • Allen F. Roberts
  • Marla C. Berns
H6/KFY [AFRICAN-]0001-9933
Zimbabwe mobilizes: ICAC's shift from coup de grâce to cultural coup2018 African arts 51 (2): 4-17
  • Berry Bickle
  • Dulcie Abrahams Altass
  • Jimmy Ogonga
  • Marie Hélène Pereira
  • Mhoze Chikowero
  • N'Goné Fall
  • Raphael Chikukwa
  • Ruth Simbao
H6/KFY [AFRICAN-]0001-9933
"The bag is my home":recycling "China bags" in contemporary African art2018 African arts 51 (2): 18-31
  • Ying Cheng
H6/KFY [AFRICAN-]0001-9933
Bodies, buildings, and borders: navigating the divided nation through contemporary South African and Palestinian art practice2018 African arts 51 (2): 32-43
  • Rachel Baasch
H6/KFY [AFRICAN-]0001-9933
This is our story: iconography of carved doors and panels in Oyo palace2018 African arts 51 (2): 44-57
  • Stephen Fọlárànmí
H6/KFY [AFRICAN-]0001-9933
The Vigango affair: the enterprise of repatriating Mijikenda memorial figures to Kenya2018 African arts 51 (2): 58-69
  • Joseph Nevadomsky
H6/KFY [AFRICAN-]0001-9933
Instant ancestors: looking into a cache of South African photographic erratics2018 African arts 51 (2): 70-9
  • Steven C. Dubin
H6/KFY [AFRICAN-]0001-9933
Cutting edge of the contemporary: KNUST, Accra, and the Ghanaian contemporary art movement2018 African arts 501 (3): 1-2, 4-9
  • Alissa Marie Jordan
  • Rebecca Martin Nagy
H6/KFY [AFRICAN-]0001-9933
Locating Senghor's École in Dakar: international and transnational dimensions to Senegalese modern art, c. 1959-19802018 African arts 501 (3): 10-25
  • Joshua J. Cohen
H6/KFY [AFRICAN-]0001-9933
The mantis wedding: performing power in the loom2018 African arts 501 (3): 40-51
  • Philippa Hobbs
H6/KFY [AFRICAN-]0001-9933
Performing realization: the Sufi music videos of the Taalibe Baye of Dakar2018 African arts 501 (3): 26-39
  • Oludamini Ogunnaike
H6/KFY [AFRICAN-]0001-9933
A twin image from Abeokuta, Nigeria2018 African arts 501 (3): 74-7
  • Tim Chappel
H6/KFY [AFRICAN-]0001-9933
Visualizing marriage in northern Ethiopia: the production and consumption of Gama2018 African arts 501 (3): 52-73
  • Leah Niederstadt
H6/KFY [AFRICAN-]0001-9933
Producing, collecting, and exhibiting Bizango sculptures from Haiti. Transatlantic Vodou on the international art scene2018 African arts 51 (4): 8-19
  • André Delpuech
  • Catherine Benoît
H6/KFY [AFRICAN-]0001-9933
Assemblage, occlusion, and the art of survival in the Black Atlantic2018 African arts 51 (4): 20-33
  • Matthew Francis Rarey
H6/KFY [AFRICAN-]0001-9933

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